When we returned to
our hotel in Mexico City, we found the lobby decorated in preparation for the Day
of the Dead on 1 November. The receptionist joked that the skeletal couple were
guests who had not paid their bills.
Apparently, the phoney
Day of the Dead procession with which a recent James Bond film starts, has been
adopted in Mexico City as a tourist attraction. In 1975 I was taken to a more
traditional celebration in Mixquic, a small town within the modern Mexico City.
Mixquic was full of visitors and sellers of food and drink. In the churchyard families
sat by the graves and enjoyed a meal
with their dead. The highlight of the day was a competition of skeleton
puppets. Skeletons might rise from their coffins, dance or perform other
exploits. One acknowledgement to modernity was a skeleton that performed the
antics of a popular TV game show of the time, called Sube Pelayo, sube
(roughly “Climb Mr. Nobody, climb”). Contestants climbed a greasy pole to grab
money and other prizes from the top of the pole. In Mixquic, Pelayo was a
skeleton.
The Day of the Dead
celebrations are a hybrid of prehispanic and Christian traditions. The many and
varied societies of Ancient Mexico shared a preoccupation with death and the
underworld. Shamans entered caves (thought to be the entrance to the underworld)
to receive trance-induced messages from the gods. Powerful people were buried
with offerings, and sometimes sacrificed humans, to accompany them in the
afterlife. Sacrificial victims, drugged to facilitate sacrifice, were
considered honoured beings who would receive rewards in the underworld, once a
priest had removed their hearts: a dubious honour to be sure. The Spanish
clerics abhorred human sacrifice, but shared a preoccupation with death and the
afterlife. Faced with the task of converting thousands of indigenous people,
most of whom understood not a word of Spanish, it suited priests to merge the
two traditions.
Near our hotel is the
famous Pastelería Suiza (“Swiss Patisserie”), which had on offer an
array of death-related goods.
A breakfast treat is a pan de muerto (“bread
of the dead”), often filled with cream. There are, of course, the brightly
coloured skulls made of sugar or of sweet potato or chocolate. Another delight
is huesitos de santos (“saints’ bones”) made of white marzipan filled
with egg yolk, or tumbas (“tombs” or “coffins”) of chocolate or sugar
with lids open to reveal the skeleton.
Pan de muerto |
Día de los Muertos treats at the Pastelería Suiza |
The Dolores Olmedo
Museum, famed for its collection of Diego Rivera and Frida Kahlo works,
organizes an annual themed display of skeletons (known in Mexico as calacas).
This year’s theme was the triumphs of Mexican engineering and architecture.
Mexico City's Metro c.1970 |
Calacas at the Dolores Olmedo Museum |
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